Thomas Hardy wrote “The Shadow on the Stone” after his wife’s death, and the ghost he mentions is his wife’s. The poem focuses on the realities of time and death. The poet’s feelings are complex, which is reflected in the complex rhyme scheme of the poem. The title shows us how Emma has always been like a shadow for Hardy. When she was alive, she followed him and now that she’s dead, according to Greek mythology, her soul has become a shadow. The stone in the poem is white as opposed to the black color of a shadow. Black may symbolize the evil way Emma was treated during the last years of her life.
For convenience, I will analyze this poem stanza by stanza.
I went by the Druid stone
That broods in the garden white and lone,
And I stopped and looked at the shifting shadows
That at some moments fall thereon
From the tree hard by with a rhythmic swing,
And they shaped in my imagining
To the shade that a well-known head and shoulders
Threw there when she was gardening.
A druid stone is a mystical stone of intuition and physic wisdom. Another definition of Druid Stone is a stone made by the ancient Druids. Both these definitions apply to the poem as we will later see. The stone is a representation of Hardy. He broods (or thinks) a...
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Born on November 13, 1850, in Edinburgh, Scotland, Robert Louis Balfour Stevenson came from a long line of prominent lighthouse engineers. During his boyhood, he spent holidays with his maternal grandfather, a minister and professor of moral philosophy who shared his love of sermons and storytelling with him. Prone to illness, Stevenson spent many of his early winters in bed, entertained only by his imagination and a great love of reading, especially William Shakespeare, Sir Walter Scott, John Bunyan and The Arabian Nights.
Encouraged to follow the family tradition of lighthouse engineering, he began studies at the University of Edinburgh in 1867, but quickly discovered he preferred a career in literature. To satisfy his father, he acquired a law degree and was admitted to the bar by the time he was twenty-five.
Stevenson spent the next four years traveling through Europe, mostly around Paris, publishing essays and articles about his travels. In 1876, he met Fanny Vandegrift Osbourne, a married woman ten years his elder. When she decided to return to San Francisco soon after they met, Stevenson followed, taking the long voyage across the Atlantic and across the United States against the advice of his friends and physician. To add to his adventure and inform his writing, he chose to travel in steerage and was near death when he arrived in Monterey, California, in 1879. After being nursed back to health, he continued to San Francisco that winter, though it cost him his health. Osbourne, who had since been divorced, helped him recover. They married the following May.
After several months in the U.S. with his wife and her young son, Stevenson brought his family back to Britain. Frequently sick, he continued to write seriously, producing the bulk of his best-loved work. His first successful novel, Treasure Island was published in 1884, followed by A Child's Garden of Verses in 1885, and The Strange Case of Dr. Jekyll and Mr. Hyde in 1886.
A representative of Neo-romanticism during the Modernist period of English literature, Stevenson was an incredibly popular and successful writer. Though many leading critics dismissed his work entirely, he was admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling, Vladimir Nabokov, and J. M. Barrie. He was also friends with Henry James, who was a vocal supportor his work.
Following the death of his father in 1887, Stevenson left again for the U.S. with his family, planning a move to Colorado. Upon landing in New York, however, they decided to spend the winter at Saranac Lake, in the Adirondacks. That summer he chartered a yacht and sailed through eastern and central Pacific, stopping for extended stays among the Hawaiian Islands. In 1890, Stevenson purchased a four hundred-acre estate in Upolu, one of the Samoan islands. He adopted the native name Tusitala (Samoan for "Story Writer") and soon became immersed in local politics.
By 1894, Stevenson had become increasingly depressed, convinced the best of his work was behind him. He wrote that he wished his illnesses would kill him. On the evening of December 3, 1894, he collapsed, possibly due to a cerebral hemorrhage, and died. He is entombed at Mt. Vaea, at a spot overlooking the sea, with a tablet on which his poem "Requiem" is inscribed.
Due in part to the rise of the modernist aesthetic, Stevenson's work fell out of favor. Criticized by figures such as Virginia Woolf, he was soon remembered only as a contributor to children's literature. For most of the 20th century he was excluded from the Oxford and Norton anthologies of literature entirely, though he is now included. According to an index of translated authors kept by UNESCO, Stevenson is ranked the 25th most translated author in the world, ahead of fellow Victorians Charles Dickens, Oscar Wilde, and Edgar Allan Poe.
A Child's Garden of Verses (1885)
Songs of Travel and other Verses (1895)